Hen and Chicks
Photo by Rick Bennett. Taken to publicize a chicken coop tour in Raleigh, North Carolina that raised $5000 and 2000 pounds of non-perishable food for Urban Ministries, which provides medical care and food for people in need. For more information, see
Hen 'n Chicks block. Photo by Wisconsin quilter Jen Buettner.
Photo by Kelly MacDonald.
Not long ago, I wrote about the Shoo Fly quilt pattern, having been inspired by the Shoo Fly plant. I was recently given a start of a different plant, a succulent called Hen and Chicks (Sempervivum tectorum), and that got me thinking about quilt patterns of the same (or similar) name.
Barbara Brackman’s Encyclopedia of Pieced Quilt Patterns lists several patterns that fall into this category, and shows sources for most of them dating from the 1930s (although one comes from an 1896 Ladies Art Company catalogue) Hen and Chicks, Hen ‘n Chicks, Hen and Chickens, Hens and Chickens, or The Hen and Her Chicks—all refer to quilt block patterns that feature a central geometric shape, usually a square, surrounded by smaller shapes, often triangles.
My Hen and Chicks plant also features a central cluster of rosettes (the “hen”) surrounded by smaller rosettes (the “chicks”). Descriptions of the Hen and Chicks plant say that European peasants planted the succulent on the thatched roofs of their homes in order to create a natural firebreak. Since Hen and Chicks retains water in its leaves, it would catch fire less quickly than the dried thatch.
If you’ve ever seen a mother hen surrounded by her baby chicks, you know that it is an easy visual leap to see where both the plant and the quilt pattern got their names. The large chicken in the middle of her brood of little ones is a memorable sight. Being a “chickenista” with a small backyard flock of my own, I can certainly understand how chickens’ appearance and their funny, endearing antics might give rise to all sorts of creative thought.
Of course, as is true with most traditional quilt patterns, the inspiration for a name may vary from place to place and from time to time. Barbara Brackman quotes Florence Peto as saying, “It is not wise to be didactic about the nomenclature of quilt patterns.” In one instance, Brackman notes that a pattern named Hen and Chicks is also called Shoo Fly.
Our quilting forebears took their cues from their surroundings and their everyday lives. Since many of them lived in a rural environment, it is hardly surprising that something so common and familiar as poultry would make its way into their artistic expressions.
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Column 117: How WWI Changed the Color of Quilts in the United States
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Column 106: The Airing of the Quilts
Column 105: A Call for a National Juneteenth Commemorative Quilt
Column 104: Dominoes
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Column 102: Helen Blackstone, A Texas Quilter
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Column 100: 100th Suzy's Fancy Column!
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Column 98: The Tobacco Sack Connection
Column 97: Meet the Sisters Who Are State Fair Quilting Queens
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Column 95: Her Mother Pieced Quilts
Column 94: Rebecca Barker’s Quiltscapes
Column 93: The Thread and Thimble Club Mystery
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Column 90: Leitmotif for a Lifelong Love Affair
Column 89: Quilting in The Bahamas
Column 88: Joan of Arc: A Quilter's Inspiration
Column 87: Home Demonstration Clubs and Quilting
Column 86: Linzi Upton and the Quilted Yurt
Column 85: A Bounty of Quilts
Column 84: Desert Trader
Column 83: Quilts and the Women’s Liberation Movement
Column 82: Replicating the Past: Reproduction Fabrics for Today’s Quilts
Column 81: Why So Many Quilt Shops in Bozeman, Montana?
Column 80: Southeastern Quilt and Textile Museum
Column 79: 54 Tons of Quilt
Column 78: Ollie Steele Burden’s Quilt Blocks
Column 77: Quilting with AMD
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Column 75: The Modern Quilt Guild—Cyberculture Quilting Ramps Up
Column 74: The Membership Quilt—Czech Quilting in Texas
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Column 72: Author: Terri Thayer
Column 71: The Christmas Quilt
Column 70: New Mexico Centennial Quilt
Column 69: Scrub Quilts
Column 68: “Think Pink” Quilt Raises Funds for Rare Cancer Research
Column 67: Righting Old Wrongs.
Column 66: 100 Years, 100 Quilts - More on the Arizona Centennial.
Column 65: Arizona Centennial Quilt Project
Column 64: Capt. John Files Tom’s Family Tree
Column 63: The Fat Quarters
Column 62: Quilt Fiction Author: Clare O’Donohue
Column 61: Louisiana Bicentennial Quilt
Column 60: The Camo Quilt Project.
Column 59: Thread Wit
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Column 57: Preschool Quilters
Column 56: The Story Quilt
Column 55: Red and Green Quilts
Column 54: On the Trail
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Column 52: True Confessions: First Quilt
Column 51: Quilted Pages
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Column 49: More Than a Quilt Shop
Column 48: Las Colchas of the Texas-Mexico Border
Column 47: Literary Gifts
Column 46: A Different Way of Seeing
Column 45: Sampling
Column 44: Hen and Chicks
Column 43: A Star Studied Event
Column 42: Shoo Fly Pattern
Column 41: Awareness Quilts
Column 40: Tivaevae
Column 39: UnOILed UnspOILed Coast Quilt Project
Column 38: Katrina Recovery Quilts
Column 37: Quilted Vermont
Column 36: The Labyrinth Quilt—A Meditative Endeavor
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