Domino Quilt (81" x 97") by Eugenia Mitchell. Photo courtesy Rocky Mountain Quilt Museum, Golden, Colorado.
I’ve written before about my fascination with the origins of traditional quilt pattern names. Our quilting forebears found seemingly endless sources of inspiration for translation into quilt patterns. Apparently, nothing was too mundane to get their creative juices flowing. One such “muse” was the domino game piece.
According to the website, www.domino-games.com, “Dominoes, like playing cards and dice, are something of a generic gaming device. They are simple building blocks that can be assembled in innumerable ways to create a large variety of games, ranging from the simple to the complex, from games in which the gameplay is almost mechanical, to games that require great skill and strategy.
“Dominoes evolved from dice and are believed to have originated in China in the 12th century, though Egyptian or Arabian origins are also theorized. Dominoes appeared in Italy in the early 18th century, and spread to the rest of Europe throughout the remainder of the 1700's, becoming one of the most popular games in both family parlors and pubs alike. The word ‘domino’ appears to have derived from the traditional appearance of the tiles—black dots on a white background—, which is reminiscent of a "domino" (a kind of hood) worn by Christian priests. Today, dominoes are played all over the world.”
Dominoes are particularly popular in the southern United States. The World Championship Domino Tournament has been held annually in Andalusia, Alabama for decades, and the domino game known as “42” was officially proclaimed by the 82nd Legislature of the State of Texas as the official State Domino Game of Texas.
If I were a betting woman, I’d wager that the quilter who came up with the traditional Domino and Square(s) pattern hailed from the South. Barbara Brackman's Encyclopedia of Pieced Quilt Patterns dates Domino and Square(s) back to the Ladies Art Company Catalog, #278, published in 1897.
Nancy Cabot came out with a version of the pattern in 1934. The pattern is similar to a log cabin type of design and the blocks can be rotated to create different variations.
And then there is Eugenia Mitchell’s wonderful Domino Quilt that was her own original design. Made in 1980 in Golden, Colorado, it was one of 101 quilts donated by Eugenia Mitchell to start the Rocky Mountain Quilt Museum.
Mitchell lived to be 103, and her story is remarkable. She was born in Brazil to Lutheran missionary parents, the oldest of 12 children. Her mother taught her to quilt when she was ten, and she continued to quilt well into her 90s.
Her life was one of hard work and making do with little, and it would seem that she would have had little time for playing games. However, she, like the anonymous designer of the traditional Domino and Square(s) pattern, nevertheless found inspiration in the simple rectangular gaming piece, and gave us yet another reason to marvel at the bottomless well of creativity frequented by quilters.
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Column 149: Rosie’s Redwork
Column 148: The Quilt of Belonging
Column 147: Kanthas—The Quilts of Bangladesh
Column 146: Patterns
Column 145: Suzy on Carolyn Mazloomi's Groundbreaking Quilt Exhibit
Column 144: Texas Community Marks Juneteenth Sesquicentennial with History Quilts
Column 143: Maya Embroidered Patchwork
Column 142: Huipil Patchwork Quilts
Column 141: Tom Korn’s Military Medal Quilts
Column 140: The Return of Double Knits!
Column 139: Passage Quilts
Column 138: Home of the Brave Quilts
Column 137: The Story of Fabric Yo-Yos
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Column 135: Trifles
Column 134: Deaf Initiatives—Communicating Through Quilts
Column 133: My Betty Boop Quilt
Column 132: Maura Grace Ambrose
Column 131: All You Need Is Love
Column 130: Chicken Linens
Column 129: The Quilted Chuppah
Column 128: Patchwork Around the World: Yoruba Dance Costumes
Column 127: The Bowers Co-Op Quilts
Column 126: Fon Appliqué and Haitian Voodoo Flags
Column 125: The Quilt Garden at The North Carolina Arboretum
Column 124: Harriet Powers and Handful’s Mauma
Column 123: Quilters de Mexico
Column 122: An Appliquéd Surprise
Column 121: Matisse’s Fabric Stash
Column 120: Soogan—The Cowboy’s Quilt
Column 119: The Ron Swanson Quilt
Column 118: HClarkdale, Georgia—A Thread of History
Column 117: How WWI Changed the Color of Quilts in the United States
Column 116: Wagga—The Bushman’s Quilt
Column 115: All in the Family
Column 114: The Alabama State Quilt
Column 113: Balloon Quilts of Albuquerque
Column 112: The Family That Quilts Together, Stays Together
Column 111: Two Rivers, Three Sisters
Column 110: Quilters Helping Quilters
Column 109: Community Cookbooks and Fundraiser Quilts—Parallel Histories
Column 108: Quilting to Freedom
Column 107: National Quilting Day
Column 106: The Airing of the Quilts
Column 105: A Call for a National Juneteenth Commemorative Quilt
Column 104: Dominoes
Column 103: 1936 Texas Centennial Bluebonnet Quilt
Column 102: Helen Blackstone, A Texas Quilter
Column 101: Montana CattleWomen Anniversary Brand Quilt
Column 100: 100th Suzy's Fancy Column!
Column 99: Montana Stockgrowers Anniversary Brand Quilt
Column 98: The Tobacco Sack Connection
Column 97: Meet the Sisters Who Are State Fair Quilting Queens
Column 96: The connection between fairs and quilts.
Column 95: Her Mother Pieced Quilts
Column 94: Rebecca Barker’s Quiltscapes
Column 93: The Thread and Thimble Club Mystery
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