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Column #109

Community Cookbooks and Fundraiser Quilts—Parallel Histories

Last year, I had the opportunity to attend a symposium on the topic of women and food, and one of the panel sessions focused on the history and legacy of community cookbooks in the United States.

It was a fascinating discussion, and the more I listened, the more I realized that the panelists could have just as easily been talking about fundraiser quilts as community cookbooks, because there were so many similarities between the two.

According to Linda Berzok, writing for The Encyclopedia of Food and Culture, “Community cookbooks (also known as compiled, regional, charitable, and fund-raising cookbooks) are a unique genre of culinary literature [that] focus on home cooking, often documenting regional, ethnic, family, and societal traditions, as well as local history.”

Fundraiser quilts are a special genre of quilts that document the same sorts of things. Because both community cookbooks and fundraiser quilts are typically made by defined groups of (usually) women in a particular place, they naturally tend to reflect the characteristics of those groups.

Such things as church, club, or school affiliation, political beliefs, social class, and ethnic background of the contributors, as well as popular tastes and current events might all be revealed in the end product.

Both community cookbooks and fundraiser quilts got their start in the 19th century in the U.S., although fundraiser quilts predate community cookbooks by at least 50 years.

Quilt historian Ricky Clark, in The Needlework of an American Lady/Social History of Quilts, maintains that The Boston Female Society for Missionary Purposes was making quilts to raise money to support frontier ministers as early as 1800.

The first community cookbooks started showing up in the mid-1800s during the Civil War. Women’s groups in both the North and South used them—along with fundraiser quilts—to raise money for everything from field hospitals to gunboats. After the war, women's clubs organized cookbook projects and created fundraising quilts to benefit widows, veterans, and orphans.

Early on, in addition to funding local charitable activities and religious efforts, these types of cookbooks and quilts helped underwrite a variety of political and social causes, including prison reform and women’s suffrage.

In the 1870s, both community cookbooks and fundraiser quilts were employed in the effort against alcoholism championed by Women’s Christian Temperance Unions.

“By 1915, as many as 6,000 community cookbooks had been published in the United States, and women were raising money to fund kindergartens and promote temperance and other political causes. In an era when females had few roles in public life, these cookbooks acknowledged their presence in the community.” (Michelle Green, Food and Wine, 12/02). The same could be said for early fundraiser quilts.

Whether quilting or compiling favorite recipes, women join together to monetize their skills for worthy causes and common goals. In the 19th and early 20th centuries, societal restraints were such that women had few other ways of contributing funds to their communities.

Although times have changed and those restraints are no longer compelling, it is notable that using both community cookbooks and fundraising quilts to raise money for charitable efforts and shared goals is a tradition that continues today.


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Archived blogs:

Column 149: Rosie’s Redwork
Column 148: The Quilt of Belonging
Column 147: Kanthas—The Quilts of Bangladesh
Column 146: Patterns
Column 145: Suzy on Carolyn Mazloomi's Groundbreaking Quilt Exhibit
Column 144: Texas Community Marks Juneteenth Sesquicentennial with History Quilts
Column 143: Maya Embroidered Patchwork
Column 142: Huipil Patchwork Quilts
Column 141: Tom Korn’s Military Medal Quilts
Column 140: The Return of Double Knits!
Column 139: Passage Quilts
Column 138: Home of the Brave Quilts
Column 137: The Story of Fabric Yo-Yos
Column 136: Christmas in July
Column 135: Trifles
Column 134: Deaf Initiatives—Communicating Through Quilts
Column 133: My Betty Boop Quilt
Column 132: Maura Grace Ambrose
Column 131: All You Need Is Love
Column 130: Chicken Linens
Column 129: The Quilted Chuppah
Column 128: Patchwork Around the World: Yoruba Dance Costumes
Column 127: The Bowers Co-Op Quilts
Column 126: Fon Appliqué and Haitian Voodoo Flags
Column 125: The Quilt Garden at The North Carolina Arboretum
Column 124: Harriet Powers and Handful’s Mauma
Column 123: Quilters de Mexico
Column 122: An Appliquéd Surprise
Column 121: Matisse’s Fabric Stash
Column 120: Soogan—The Cowboy’s Quilt
Column 119: The Ron Swanson Quilt
Column 118: HClarkdale, Georgia—A Thread of History
Column 117: How WWI Changed the Color of Quilts in the United States
Column 116: Wagga—The Bushman’s Quilt
Column 115: All in the Family
Column 114: The Alabama State Quilt
Column 113: Balloon Quilts of Albuquerque
Column 112: The Family That Quilts Together, Stays Together
Column 111: Two Rivers, Three Sisters
Column 110: Quilters Helping Quilters
Column 109: Community Cookbooks and Fundraiser Quilts—Parallel Histories
Column 108: Quilting to Freedom
Column 107: National Quilting Day
Column 106: The Airing of the Quilts
Column 105: A Call for a National Juneteenth Commemorative Quilt
Column 104: Dominoes
Column 103: 1936 Texas Centennial Bluebonnet Quilt
Column 102: Helen Blackstone, A Texas Quilter
Column 101: Montana CattleWomen Anniversary Brand Quilt
Column 100: 100th Suzy's Fancy Column!
Column 99: Montana Stockgrowers Anniversary Brand Quilt
Column 98: The Tobacco Sack Connection
Column 97: Meet the Sisters Who Are State Fair Quilting Queens
Column 96: The connection between fairs and quilts.
Column 95: Her Mother Pieced Quilts
Column 94: Rebecca Barker’s Quiltscapes
Column 93: The Thread and Thimble Club Mystery

See other archived columns here

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