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Best of Suzy’s Fancy

by Suzanne Labry

March 9, 2020

Bosna Quilts

Bosna Quilts

Column 238:

“BEST OF”

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Column: 27

An Appliquéd Surprise

Column: 27

How WWI Changed the Color of Quilts in the United States

Column 26:

The Family That Quilts Together, Stays Together

Column 25:

All in the Family

Column 24:

Leitmotif for a Lifelong Love Affair

Column 23:

The Tobacco Sack Connection

Column 22:

The State Fair - Quilt Connection

Column 21:

Rebecca Barker’s Quiltscapes

Column 20:

Quilting in the Bahamas

Column 19:

A Bounty of Quilts

Column 18:

Replicating the Past

Column 17:

Maximum Security Quilts

Column 16:

The Think Pink Quilt

Column 15:

The Fat Quarters

Column 14:

Ralli Quilts

Column 13:

The Story Quilt

Column 12:

True Confessions: First Quilt

Column 11:

More Than a Quilt Shop

Column 10:

A Different Way of Seeing

Column 9:

Weya Appliqué

Column 8:

Sowing Seeds, Sewing Quilts

Column 7:

A Way with Words

Column 6:

Mary Koval & Reproduction Fabrics: Nothing New Under the Sun

Column 5:

A Long(arm) Story: Renae Haddadin

Column 4:

The Graduates

Column 3:

Something from Nothing

Column 2:

The Quilting Life of Kathleen McCrady

Column 1:

Piecing Quilts, Patching Lives

Archive >

During the war that took place in Bosnia-Herzegovina between 1992 and 1995, Bosnian Muslims were the targets of ethnic cleansing and genocide, and many fled their country to escape the violence.

Lucia Lienhard-Giesinger portrait. Photo by Daniel Lienhard.
Lucia Lienhard-Giesinger portrait. Photo by Daniel Lienhard.

The Austrian government created a special status for these refugees and allowed them temporary protection until they could return to their homes. One of the refugee hostels for those fleeing the war was located in the Austrian state of Vorarlberg, not far from the home of artist Lucia Lienhard-Giesinger. Lucia was one of several artists in the region who had been invited in 1993 to work on textile projects with the refugees in order to create a diversion from the horrors they’d endured and give them something to do. A painter by profession, Lucia had the idea of encouraging the Bosnian women to render her abstract designs as quilts.

Neither she nor any of the 30 refugee women who initially took part in the project knew anything about quilting. “It was a matter of trial and error when we began,” Lucia recalls. “Two textile specialists very briefly showed us the way around, and thereafter the women and I met several times a week. Very soon the whole group were quite self-reliant in their work.”

The Catholic relief organization Caritas, which ran the refugee hostel, supplied materials, two sewing machines, a table for ironing, and space in a garage for the women to work. “We didn’t have quilting frames or pattern stencils—we didn’t even know those existed,” she continues. “But for all the wide range of social classes among exiled women in our group, quilting allowed them to leave all the worries for their relatives and friends in Bosnia behind for a little while. Stitch by stitch, they had the experience of something beautiful arising from their hands, and that does good.”

Sabina sewing. Photo by Daniel Lienhard.
Sabina sewing. Photo by Daniel Lienhard.

Lucia would produce a design, which would then be laid out in a full-scale version using fabrics on the garage floor. She would then draw a sketch with color instructions and precise dimensions for the women. After that, the women would transform the design into a quilt. The project went so well that Lucia began holding public exhibitions of the quilts. “Our first exhibitions’ visitors were amazed about those pieces from the garage workshop. And they bought the quilts, not for charity’s sake but because it was recognizably good work that they were willing to purchase for an appropriate price.”

Perhaps one of the most remarkable aspects of this encouraging effort is that it is still going—some 26 years after it first began.

The refugee hostel was closed in 2011, although many of the original women in the quilting project had returned to Bosnia-Herzegovina prior to that time. One of those was Safira Hošo, who went back in 1997 to her hometown of Goražde in east Bosnia, some 100 kilometers from Sarajevo.

Quilt. Photo by Foto Weissengruber
Quilt. Photo by Foto Weissengruber

At that time, the city was still devastated from the war and there was little economic opportunity for anyone, especially women. Safira maintains that quilting has saved her life twice: first in the refugee hostel in Austria and then in her own country. As she was leaving Austria, she told Lucia, “If you don’t carry on, I’ll go crazy.”

Lucia agreed to continue and Safira assembled and now coordinates a group of 11 women in Goražde who earn a regular income from making quilts. Lucia regularly sends Safira designs from Vorarlberg. Safira picks up fabrics sent from Austria, translates Lucia’s sketch notes and distributes the designs among the women. When the quilts are finished, they are driven by minivan back to Lucia, who then displays them in a special design studio and showroom, Bosna Quilt Werkstatt, that she opened in Bregenz, the capital city of Vorarlberg.

Quilt. Photo by Foto Weissengruber
Quilt. Photo by Foto Weissengruber

The studio sells about 80 quilts a year to museums, churches, and individuals. Demand is constant for the quilts that sell for 700 to 2,300 euros apiece. Lucia’s husband helps her advertise, show, and sell the quilts, all on a volunteer basis.

Both Safira and Lucia agree that the project has transformed their lives, and they are both passionate about what they are doing. “As long as we are healthy, we will continue to work together,” Lucia sums up.

For more information, see the website Bosna Quilts.

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